By Jane Campbell Hutchison
Hutchison's booklet is a whole consultant on Durer and the examine on his paintings, his old import and his aesthetic legacy.
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Extra resources for Albrecht Durer: A Guide to Research (Artist Resource Manuals)
Berlin, Staatliche Museen Preussischer Kulturbeitz. Bilder im Blickpunkt: Jacob van Utrecht: der Altar von 1513, Rainald Groshans: 1982. The author assembles documentation concerning the activity of the painter Jacob van Utrecht (Jacobus Trajectensis Claessens) in Antwerp, Cologne, and Lübeck, using dendrochronological and infrared data to date a sixteenth-century triptych by his hand to the year 1513, and identifies influence from Dürer, as well as from Bernt Notke and Flemish artists. 71. Berlin, Technische Universität.
Albrecht Dürer. Kritischer Katalog der Zeichnungen, Berlin: Staatliche Museen Preussischer Kulturbesitz, 1984. Scholarly catalogue of the 122 drawings and watercolors by the artist that are in the Berlin print room. Notable watercolors include one of the views of Kalkreuth and the Wire-Drawing Mill at Nuremberg. Chiaroscuro drawings include the Portrait of an Architect (1506: study for the Feast of the Rose Garlands, a Standing Apostle (study for the Heller Altarpiece). Many portraits, including those of Willibald Pirckheimer (1503), The Artist’s Mother (1514), and 30 ALBRECHT DÜRER: A GUIDE TO RESEARCH Agnes Dürer in Netherlandish Headdress (1521).
Berlin: Henschelverlag, 1975. [German Art and Literature in the Early Bourgeois Revolution: Aspects, Problems, Positions. ] This volume of studies, written by an “authors’ collective” (also an East German custom), treats Dürer, as well as Cranach, Grünewald, and the unfortunate Jörg Ratgeb, in respect to these events and in the company of Ulrich von Hutten, Martin Luther, Sebastian Lotzer, and Thomas Münzer. 69. Berlin (DDR), Staatliche Museen zu Berlin. Kunst der Reformationszeit, Berlin (DDR): Henschelverlag Kunst und Gesellschaft, 1983, passim.